What Makes a Great Writer?

You’d think that to be a great writer, you have to be a master wordsmith. While that certainly helps, it takes a bit more to put you at the top and keep you there.

Someone who writes a bestselling book the first time out of the gate may be a good writer, especially if the book is a hit. But it could be the subject matter that sells the book—plus some really great editing.  Having one hit book doesn’t make anyone a great writer, just a lucky one. In fact, can this person even be considered a writer at all or just someone who’s incredibly lucky. Great writing comes with experience and lots and lots of writing. The old saying, “Practice makes perfect,” isn’t far from wrong.

Take Harper Lee, the author of To Kill a Mockingbird. Some claim her book to be one of the best of all time, but what else did she write? She just happened to write about racism—a really hot topic just about any time—and she did it well. But then nothing for years. Recently, she tried to resurrect one of her old manuscripts, but it more or less fizzled. So in the greater world of writing, she might be considered to have produced a “happy accident,” but she’s not necessarily a great writer.

Then look at writers like Tom Wolfe, Truman Capote, Ann Rice, and John Updike, and you’ll notice they all have one thing in common—they all have written about various subjects equally well.

Another thing these writers have in common is that they aren’t only aware of the world around them, they scrutinize it’s every detail. So many things occur every day that the number of subjects and even topics within a subject category is almost endless. All of the above writers most likely had so many ideas they didn’t know which to do first.

Prolific writers are students of the world around them. They pay attention to everything because stories worth their time are happening all the time around them. The difference is that they see details others don’t. Their gift is seeing beyond the obvious.

Great writers also know how to fight resistance—that invisible force that works against creativity, production, and progress.  Resistance is that little negative voice that tells you that you can do it tomorrow or that you’re not that good anyway. Resistance is the enemy to anyone who strives to be great. Successful writers are aware of this and know how to fight it.

Creating writing is hard work. Many people who think they want to be writers just don’t make it because they don’t realize just how hard it is. There are probably more half-written novels out there than completed ones.  To be a great writer, you’ll have to keep your head down and move forward regardless of the odds.

If you say no to new ideas, you probably haven’t taken many risks. And writing is a risky business.  Too many beginning writers don’t like to see other succeed where they have failed. And when someone does succeed, they usually don’t know all the details. A great writer believes his or her ideas are possible whether they are or not.

People often see great writers as delusional or egotistic. But it’s really seeing the world for what it could be and expecting nothing less than passion and belief in what they are doing that makes them great.

Reading and Writing Go Hand in Hand

Reading is an important part of writing. But you’d be surprised just how many beginning writers aren’t avid readers. A recent study states that 23 percent of Americans want to be writers, but the percentage of them who actually read regularly is pitifully poor.

Reading and writing go hand in hand. To be a good writer, you have to be a good reader. The more you read, the better writer you’ll become. This is a pretty bold statement, but it’s true. Exposure to good writing is imperative. Reading just anything won’t do. You have to read well-written articles, stories, and books before you can understand how to write them well.

Most people read to be informed and/or entertained. As a writer, you have to read for technique and, yes, ideas. The broader your reading—the more different kinds of writing you read—the more of each you’ll absorb and the more ideas you’ll have for your own work.

Begin by making it a daily habit. Work the reading of articles in newspapers, magazines, and journals (either online or in print) into your daily routine. With the proliferation of electronic tablets and e-readers, it’s easy to catch up on what interests you while you’re on your coffee break or while eating lunch.

Consider cross-platform programs like Evernote. With its free version, you can save articles or other writing from the Internet to read when you have time. And you can make notes on what you read if reading from a laptop or tablet.  Of course, you can always take along a paperback book to read while having lunch in a nearby park or even while sitting at the picnic table outside your office building where you work.               

The wider your reading, the better. But make sure what you’re reading lies within your fields of interest. That’s not saying you shouldn’t read something new and different once in while.  But if you stick to what interests you, you’ll be more likely to enjoy what you’re reading because you have some interest in the subject matter. Perhaps you’re interested in anything having to do with the Arctic or Antarctic. You might read articles, short stories, non-fiction books and novels about either location----all within you realm of interest.

You may be interested in reading various genres of writing—science fiction, mysteries, detective stories, westerns, etc. But if you don’t enjoy a particular genre, reading it for whatever reason won’t make you like it any more. In fact, it may totally turn you off to it because you see reading it as a self-assignment of sorts.

Also, be sure to stick to writing that has been professionally edited or at least written by a professional, such as this blog. Not all blogs fall into this category, however. Some are just ramblings of everyday people with something to say on a particular subject. And while they’re useful for gleaning information, the writing in them isn’t always up to par.

You can also read or re-read works of literature. But watch out. The older a piece of writing is, the more its style will be dated. And you want to read writing from the last 50-70 years—the period that includes modern writers like Ernest Hemingway, John Updike, Tom Wolfe, Ann Rice, and Truman Capote.

Remember, you’re writing in the 21st Century, so the technique and style you need to absorb should be of your contemporaries. But that doesn’t mean you can’t glean ideas from famous works. Try to figure out how the writer developed his or her idea for a story or book. Was it relevant at the time? Was it related to current events? Is it still relevant or could it be relevant again in a new form?

And while no idea should be done again in exactly the same way, you could put your own spin to an old classic. Take “Romeo and Juliet,” for example. This story of star-crossed lovers has been done over hundreds of times, each as intriguing as the last.

In the process of reading, learn to recognize bad writing. Then steer clear of it, both in your reading and your own writing.

Brushed by the Wand of Success

Any writer who has deposited a check signed by the treasurer of a publication has, at least for that point in time, been brushed by the wand of success. To me, success is relative. It’s that special feeling I get at a particular moment when I feel I’ve made it.

In the beginning, it was all about getting published. Once I did that, I sat back on my newly-found success and waited for the assignments to roll in. I waited and waited and waited. In fact, I ended up waiting for nearly six years. And in all that time, I didn’t publish another piece.

Success is a funny thing. It does things to me, as I’m sure it does to you. I feel a not only a sense of accomplishment but one of euphoria. When I saw my first article in print in a national magazine, Popular Mechanics, I couldn’t believe it. The article looked great. And there was my name in print, as bold as it could be, letting everyone know that I was the writer.

Notice I didn’t say “author.” I reserve that title for those celebrity writers, like Stephen King, Ann Rice, and Norman Mailer, among others, who appear regularly as guests on talk shows like “Charlie Rose” and late-night shows like “Letterman.” I’m just a writer who works hard, the kind that makes up the backbone of the freelance writing industry.

After my initial bout with success, I realized I hadn’t handled it very well. While I managed to get something published, what good did it do me. I had my 15-seconds of fame. What I failed to do was build on that success which stopped me dead in my tracks. What actually happened was what I call a “happy accident”—a good thing that just happens but the chance of repeating it is slim. Some writers go through their whole carriers having happy accidents. I soon learned that I had to take control of my success or I won’t have any others.

I had written an article on building a modern “chuck wagon” box for my hatchback so that could travel across country camping while still eating home-cooked meals. The idea was a practical one, so the magazine's editor thought his readers would benefit from it. However, the subject was far from what I wanted to publish—travel articles about exotic places. It was only remotely related to travel, and the writing wasn’t anything like what I wanted it to be. In essence, this became a dead end piece, an article that couldn’t really help me get anywhere. That’s why I didn’t move on in publishing for six years.

The next big success for me was my first book, a book for teens on solar energy. I learned a lot from that book, but it, again, wasn’t in my field of expertise, just a field of interest. Because it wasn’t about travel or by this time history, but science, I didn’t get anywhere with that project, either. I couldn’t promote the book to publications because it wasn’t what I was writing regularly.

After that bit of success, I began to pay attention more to what I was writing. I focused on several different subject areas and made a point of not writing in others that wouldn’t advance my career.

My next book, called Amish Country, was a big success, and showcased my travel writing skills. The Amish live less than an hour from me, so it was easy to write about them. My future articles and books all moved my career forward, and successes became more frequent. Soon my successes outweighed my failures, and at that point I considered myself a professional freelance writer.