Times have changed. Technology has changed. Communication has changed. And that means a lot to a writer since communication is the focus of any writing business. However, even though writers write to communicate with their readers, some find it hard to know which form of communication to use when communicating with their editors and clients.
For years, the only forms of communication were the telephone and the letter. Both worked well but they had their limitations. Then came fax, which allowed you to send documents and contracts over phone lines. Businesses embraced fax as a way to send documents instantly.
When Email first appeared along with the Internet, it was basic—used for short messages between researchers. Students embraced Email as a way to exchange cryptic messages. They thought it cool to be able to communicate with one another in a language on they understood. But this wasn’t the way to communicate as a business owner.
Phone communication, while still a talking medium, has now become a text messaging medium. And while you can use this for personal communication with friends and family, you shouldn’t use text messaging for business communications. Cell phones now give you the ability to call anyone from anywhere. They also enable people to call you any time, anywhere. With cell phones dawned the era of instant communication. So how do you take control of phone communications.
Remember, you don’t have to answer the phone just because it rings—no matter how tempting. Voice mail, caller ID, and answering machines allow you to take control of your incoming calls. In just about any business, Mondays are the busiest days for incoming calls.
Prospective clients shopping for services may choose whomever they reach on the phone, so you might miss an opportunity by not calling back. That thought is brought about by the convenience of a cell phone. You carry your cell phone on your person—it’s instantaneous. And while you may have the urge to answer every call, doing so will seriously eat into your writing productivity.
Also, answering every call no matter where you are at the time will seriously interrupt your life, as well as put you in potential danger if you do it while driving your vehicle.
When you talk to new callers, be sure to get their direct-dial number so you can save time going through the whole series of numbers for different departments—press one for this, press two for that—if you have to call them back.
Your outgoing message on your voice mail or answering machine should be your calling card to everyone who calls you. Make a good impression and elicit important information from your callers with a “power message.” This is a message you script, rehearse, and deliver with enthusiasm. Type up all the messages you use and keep them in a folder in your computer, then they’ll be available whenever you need to record a new message.
Finally, call editors when it’s absolutely necessary. They’re busy people. If you don’t hear from an editor in a reasonable amount of time or if your situation has changed and you can’t get the job done by your deadline, then do call your editor. Don’t send an Email since your editor may not read it in time. Another trick is to call during the lunch hour when your editor may be out. This way you can leave a detailed message that he or she will get when they return but not take up their valuable time.
Next Week: I’ll be taking a look at Email and electronic communications and how they fit into today’s business communications.
Showing posts with label communications. Show all posts
Showing posts with label communications. Show all posts
Saturday, October 3, 2015
Friday, August 26, 2011
Avoiding Those Dark Clouds

One of the first of these headaches will be to convince those around you—family, friends, lovers, and yes, even creditors—that you’re really working. Everyone in business for themselves finds themselves in this position. But with freelance writers it’s even harder because much of time a writer spends thinking, which, let’s face it, doesn’t show any physical activity.
Another dark cloud that interferes with many writers’ work is discipline. In this business, it’s imperative to be disciplined. You’ve got to get work done no matter how you feel or how nice it is outside. When it’s a beautiful day, especially in the summer, I take my work outside. I love working on my patio. It’s the ideal place to mull over notes and get my thoughts together. Sure, you can take off whenever you want, but taking off too often doesn’t provide you with money to pay your bills.
To become successful in this business it’s important to have some business acumen. You’ll need to manage your money very carefully and market yourself and your work. Many writers see these as stumbling blocks to their creativity, but both need to work hand-in-hand with it. According to the Small Business Administration, the single biggest reason for failure is a lack of expertise in a chosen field. Second to that comes a lack of understanding of the business side—such things as managing inventory, bookkeeping, understanding what your overhead will be, and managing your cash flow. Unlike a job at which you get paid every week or two, payments will come in sporadically. It’s important to know how to manage your money to make it last.
In the beginning, it may be a struggle to keep going, but eventually you may have the problem of too much work—too many assignments or deadlines. Right when you have several short pieces to complete, your book editor sends you your final galley sheets to be read in just five days! Or right when you plan to enjoy the holidays with your family, a magazine editor calls with a rush assignment that needs to be completed before the New Year. To keep your head straight, you need to set your priorities and make to-do lists—and follow them.
Sometimes, there are even darker clouds on the horizon. During my career, I’ve lost all of my markets at least six times. This happened for a variety of reasons, most of which I can’t begin to fathom. Perhaps my favorite editor left the publication or maybe the publication folded, neither of which I could control. Perhaps the economy takes a nosedive and advertisers stop purchasing ads. Fewer ads equals a thinner magazine, in my case, which results in less editorial and, thus, fewer or no assignments.
This happened in 2001 right after 9/11. Because one of the major areas of my expertise is travel writing, I found myself adrift going into 2002 and have yet to fully recover 10 years later. That one event changed things globally, knocking out many travel markets. But I didn’t let that stop me and turned to other markets I had been cultivating.
And when times get tough, creditors get nasty. To avoid this, I try to stay on top of my bills when times are good so that I have a good record coming into bad times.
One of the most bothersome of those dark clouds are editors who cry on my shoulder that they just can’t pay very much—but want the world. I try not to give in, but sometimes I have to because I need the money. It’s important to judge how much work you’re putting into a project compared to what you’re getting paid. Too many freelance writers work for too little.
Another headache that writers have to deal with today is keeping their office equipment in good running order. Computers are great at increasing productivity until they break down. Most writers know little of the workings of their computer and have to trust other people to fix them which can often be an expensive process.
Lastly, the fast-changing world of communications and the many new outlets for it have changed publishing substantially, making it hard to adjust to competitive conditions. The secret is to evaluate those changes and cope with them. But with the speed of things today, that’s not always possible.
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