Experience the Real World

Writing is a reflection of life. If you write non-fiction, it’s a documentation and interpretation of life. And if you choose to write fiction, you convert what happens in real life into fictional drama. The important thing is not to just sit in front of your computer and forget about life.  Get out and live it.

You learned to write in school. However, the academic environment of school isn’t real life. And though you studied past writers in the form of literature, you never learned about their techniques, only their ideas. In fact, too many academicians infer too much from the works of famous writers. They inject symbolism and innuendo into everyone’s work, because they can’t see into the mind of these writers at the moment of creation.

Ernest Hemingway is most noted for his adventures in the real world. He was to some extent an eccentric, but he knew that if he didn’t try all sorts of things, he wouldn’t be able to write honestly about any of them. The old saying, “Write what you know,” is key to this way of thinking.

But in school, you didn’t write what you know. When you had to write a research paper, you searched out the facts and spit them out on paper in perhaps a slightly different form. You never took the time to digest them. After all, the only reader who mattered in this process was your teacher. Only his or her opinion counted. But in real life that’s not how it works.

A good writer writes from experience. And while you may not be able to afford the time or money to experience everything in life, you do experience a lot each day. Much of it you take for granted.

You don’t have to go to some exotic locale to gain insight. If you’re like most people, you struggle with relationships day in and day out. You know how you relate to people and how they relate to you. With some acute observation, you can study the relationship of others. Everyone knows about relationships. They just take them for granted and seldom look at them as material to write about.

You probably also take a vacation once in a while. Some people go to the beach and just lie in the sun. But you can see the beach and all who are on it as one giant resource to draw on. While lying there, try playing the “What If” game. Look at the group of people nearest you and see what you can gain from observing them throughout the day. Tune in to their conversation. Do they give you any ideas that you can work into a story?

Or perhaps you prefer to go on an historic vacation, visiting historic sites nearby or far away. What are you learning about these places and the people who inhabited them? One writer visited Fort Delaware, a former POW camp for Confederate soldiers. The fort has been lovingly restored by a group of dedicated volunteers and the State of Delaware. Recently, they reconstructed one of the prisoners’ barracks which reveals the lives of the 12,000 prisoners who were incarcerated there for the duration of the war. He learned a lot about their experiences. So much so, that he was able to create an article that truly captures the POW experience at the time. Being able to sit on one of the bunks in the barracks and seeing re-enactors portraying the roles of various prisoners put him right back in the war. And the knowledge he gained on that visit help put his readers there, too.

But writing isn’t limited to pleasurable things. How about documenting a tragedy. With all the news available to you, you should be able to glean a wealth of information to use later in a short story or novel. Because the media goes into overkill on most tragedies or disasters, you won’t be able to use any of the information right away. But you can put aside what you’ve learned for a writing project in the near future. 

To experience life, you don’t have to go zipping through the cloud forest on a zip line or get in the ring with a ferocious bull. Instead, look to experience those things in life that interest you. Then you’ll really be able to write what you know.

On the Road Again

Have you dreamed of traveling around the world then writing about your travels and getting paid for it? A lot of beginning writers and lots of other people have done just that. There’s something glamorous about travel writing. You’ll definitely impress your friends when you tell them you’re off to another far-off land. For them, travel comes maybe once or twice a year during vacation time. But to travel whenever it beckons you is to them a dream come true. But is it that easy?

True there’s a touch of glamor surrounding world-journeys-for-pay. Getting started in it isn't all that difficult if you hustle enough, but since 9/11 things have changed, not only because of what happened on that fateful day, but also because the publishing markets have changed.

Fifteen to twenty years ago, most readers got their information about other places from reading articles in magazines and travel guides. Since then the market has drastically shifted to include videos, podcasts, and hundreds if not thousands of Web sites with information on where to go and what to do. So the market for travel articles isn’t what it used to be.

Secondly, for the most part, you’ll make more if you work for minimum wage at McDonald’s than if you traveled the world and wrote travel articles. Have you seen what it costs to travel today? Compare those travel costs with what editors normally pay for travel pieces. No, I don’t mean the ones in Travel and Leisure and National Geographic Traveler. I’m talking about the majority of travel markets. The pay is pitiful for the amount of time and energy involved.

But still many writers try to break into this field. That’s because it seems to easy to everyone. Retired doctors who have the bucks to travel think they can dabble in travel writing. Retired teachers, who have the time and some bucks want to do the same. But how would they feel if you, the writer, wanted to dabble in medicine or teaching. You might be able to do the latter, but certainly not the former. To say the field is overcrowded is an understatement.

If you want to succeed in travel writing—and not just dabble in it—you have to work hard and be extremely organized. Remember, every moment you spend traveling is time spent, time for which you need to get paid.

Today, you pretty much have to have the means to travel to do travel writing full-time—or a spouse who will pay the bills while you travel and write about it. It used to be that airlines, hotels, and the like gave writers discounts or free transportation or accommodation. That isn’t so true anymore. Many hotels still give discounts and free rooms, but you have to get there, and the cost of doing that could hit you out of the ballpark. It doesn’t make sense to spend a $1,000 on a trip, only to make $200 on the article that results from it. So that means you’ll need to write and publish five $200 articles from that same trip to make up for the cost. And in reality, you probably won’t get paid $200 for each article, but less, which means you’ll have to publish a whole bunch of articles to make that trip pay for itself—and that doesn’t include any profit.

If you’re serious about travel writing, there are some things to do before you start packing. Discuss your travel plans with several editors—in person, by phone, or by email—regarding  places you'll be visiting, people you'd consider interviewing, and so forth. Often one or more of them will give you a noncommittal letter of introduction from them. This letter doesn't actually commit them to publishing any of your writing, but it helps open some doors, especially in foreign countries. At the least it should help establish that you are a working writer looking for good material. If you cannot get such a letter—and as a beginner that’s nearly impossible—then  take with you some backup material such as copies of your articles to present when strangers ask who you are and why you're asking all those questions.

Once you get established as a travel writer, you may, with luck, get a letter of assignment from an editor. This is the only way you’ll get any help with costs from hotels and such. Editors won’t hesitate to give one of their regular writers one of these, but they usually don’t give them to writers they don’t know.  Letters of assignment can get you out of tight situations when traveling, but more so they can get you into many museums and private libraries for your research and perhaps get you private tours with curators.

NEXT WEEK: More on travel writing.

Going on a Writing Retreat

In today’s busy world, it’s often hard to focus on your writing. Distractions attack you from every angle—T.V.’s blaring, Internet flashing, cell phones ringing, kids screaming, spouse calling, and who knows what else. If you’re having a tough time getting any writing done, perhaps it’s time to take a break, not from writing but to writing. Perhaps it’s time for you to go on a writing retreat.

Retreats have long been used by religions to help their followers focus on their teachings and the spiritual side of their lives. Basically, to go on a retreat means to withdraw to a quiet and secluded place—away from the stress of everyday life, away from work, away from family.

Writing is difficult enough without all the distractions. And getting away from it all may just help you jump start that new novel, that short story you’ve been meaning to write, or that article that’s been nagging you to be written.

A writing retreat doesn’t have to be a big expensive affair. One writer gets together with other writer-friends of hers once a year at a one of their houses for a week of writing, eating, and sharing. They write during the day in separate areas of the house, taking a break only for lunch. In the evenings, they cook dinner together, talk about their writing, and what’s new in their lives. It’s all done in a relaxing atmosphere that results in stress reduction and more writing being done.

But the key in the above retreat is that the writer gathered with other writer-friends of hers. They all know each other and can help each other by sharing ideas and solving problems. However, in official, commercial writing retreats you’ll find by searching the Internet, you’ll be among writers you don’t know. As often as not, some of them will be very opinionated and want to impress the others about how good they are. This, in itself, creates stress, the very thing you’re trying to get away from.

Some commercial retreats offer a bare bones approach, offering a sparsely furnished room with shared bath and kitchen facilities. Others provide meals and a more luxurious atmosphere. Some require a minimum stay of two weeks. It all depends on how much you time and money you can afford to spend. But do you really need all that?

Most working writers—that is writers working 9-5 jobs—getting away for two weeks takes up all their vacation time. And if you have a family, getting away by yourself for two weeks is all but an impossibility. For most, getting away for two or three days, say over a weekend, is just the ticket. The advantage of shorter retreats is that you can do them more often.

To create your own retreat, find a vacation house, either one to rent or one belonging to a friend, that’s vacant for the time you need. The optimum word here is “vacation.” In order to keep costs down, rent it during the off season. A house at the beach is a great place for writing, especially before it gets to cold to take walks along the surf. Perhaps you can share the cost with another writer or two that you know. The same goes for a mountain cabin.

Another solution is to book a cheap hotel room with a mini fridge and perhaps a microwave. All you need is a desk and a power outlet. You can go out for dinner or get take out. Again, book in the off season. Many include breakfast. A bed and breakfast is another option. However, while these have charm and quiet, they’re usually more expensive than a hotel.

Don’t think that you have to work all the time while on your retreat. Sleep in once in a while or take an afternoon nap or a walk. Try not to work for more than two hours at a stretch. Refueling your body and mind will help your writing and make you more productive.

If you live alone and can’t get away, create a stay-at-home retreat. Plan to work at your writing throughout the day, perhaps in one-hour stints. Between each hour do something else—go for a walk, have lunch at a local diner or café, play with your dog. When you sit back down to write, you’ll find you’re refreshed and ready to continue.

If you can, vary your writing locations. If you have a laptop or tablet, you’ll be able to write just about anywhere. If the weather cooperates, take yourself outdoors and write on the patio or balcony. Take your laptop to a fast-food restaurant or doughnut shop and work while sipping some coffee or iced tea. Some places even have outdoor seating for warmer weather.

Above all, plan your home retreat ahead of time so that you won’t be distracted by sudden phone calls or other duties. And don’t forget to turn off your cell phone. If you’re not used to writing full time, then a retreat will show you how your routine needs to change should you ever wish to quit your job and become a freelance writer.

Take a Writing Vacation

The summer solstice has just past. The folks at Stonehenge got soaking wet as they gathered to celebrate it and watch the sunrise. For the rest of us, the solstice means thinking about taking some time off.  For writers, that’s not always easy to do. So as the old saying goes, “If you can’t beat ‘em, join ‘em.” In other words, don’t try to get away from your writing but maybe do something different that will improve it.

If money is tight, you can always take a staycation—that is, stay at home and do things you wouldn’t normally do. Instead of writing, you might want to create a reading program for yourself. Study the works of a particular writer you admire or find several with different writing styles and compare them. See how their techniques can help you in your writing. Work on your style.

An alternative to this is while on your staycation, write something opposite to what you normally write. Try something different. Have fun with writing for a change—no deadlines, no editors, just you and your words.

If you can afford it in both time and money, you might consider enrolling in a writer’s colony. Writers' colonies are good, especially if you've come to a point in your career when what you need most is to complete a long project with time off from the hectic realities of everyday writing and family responsibilities. Some writers find these communities of writers in tranquil surroundings the perfect solution to what they've been searching for.

Some colonies offer lots of time to socialize, at least around the dinner table. There’s nothing better than conversing with other writers. It expands your outlook and may give you ideas on improving your work. At other colonies, everyone pretty much keeps to themselves. Some take beginning writers, others do not. It’s important to check before you apply and to speak with other writers who have spent time at the one you're contemplating before you make the leap. If you don't know anyone who's been to one, write to a writer listed in the colony brochure for advice.

You may have to send samples of your work along with your application form. Most colonies require that you get a recommendation from a former visitor. And some require you to send along a work plan or explanation of what you hope to accomplish at the colony.

If you don’t have the time to enroll in an established writers’ colony, perhaps you may be lucky enough to find another writer who has a vacation cabin or beach house that will invite you and a couple of others to stay for a week of writing. One writer gets together with several writer friends at a bungalow in New Jersey once a year. They write during the day, but get together to cook dinner and discuss their progress in the evening. Chipping in for food is a lot less expensive than a writers’ colony.