Setting Up a Cross Platform in Social Media

Social media isn’t just about Facebook. In fact, there are many social media networks, each catering to a specific group of people by age or special interest.  To be successful in social media as a writer, you have to post on several different platforms and then link them together in your own social media network. Doing so brings followers from one platform, like Facebook, to another.

The main social media platforms are Facebook, Twitter, Instagram, Google+, YouTube. The last one is mostly for posting videos, but that doesn’t mean that you can’t use your smartphone to post a video of you in action once in a while.

So what exactly is a cross platform? To be successful in social media, you have to spread the word about yourself and your work to other networks. But it shouldn’t end there. Once you’ve begun regularly posting on the other networks, it’s time to link them together by sharing posts. Each time you share a post, another group of people see it. And so do their friends. If each person shares your post with just one other person and that person shares your post with one other person, your message will reach lots of people.

Facebook
So where do you begin? Once you’ve established yourself on Facebook—use it as your base of social media operations—you can venture forth to other social media networks. You might choose Twitter next. People on Twitter read their feeds almost as much as those on Facebook. Here, your posts will be shorter—even though Twitter recently increased the number of characters for each post from 140 to 280. Just because the network allows you to write longer posts doesn’t mean you should. Twitter readers are in the habit of reading short blasts, and they probably won’t change their habit for a while.

Twitter
Write a post on Twitter that’s related to the one you posted on Facebook. But don’t stop there. Be sure to add an image to your post. This can be hard if you’re posting about writing, but if you post about the subject you write about, it should be easier. You can also set it up so that you can automatically share your Facebook posts on Twitter. However, you cannot do the reverse.

Instagram
Now that you’re posting on the two primary networks, it’s time to check out some of the secondary ones. While users of Instagram will probably disagree, this network is a hard one to break into for writers because it definitely relies on image posts. In fact, you begin with an image and then add a caption to it. Also, you must have a smartphone to post on Instagram. While you can access Instagram on your computer, you cannot post from it.

Google+
Another secondary network is Google+. Its posts work much like Facebook, but its user base isn’t as large. In Google+ you can either post only text or text with an image. You used to be able to directly share your Google+ posts with Facebook, but now you have to physically post on Facebook, linking to your Google+ account. It’s a little more time consuming, but it works.  If you have images to share, you may want to set up a Google+ Collection. This is an image-based division of Google+ in which all your posts focus on one subject. Within it, you’ll find lots of photographers, antiques collectors, and such who post images related to their subject. Like Instagram, the image is the main thing, accompanied by perhaps a paragraph of text. You used to be able to share your Google+ posts directly to Facebook, but now you have to physically copy it and create a separate post on Facebook using the same text. Of course, you can still directly link to your Google+ account in your Facebook post.

Creating a Cross Platform
You should begin cross linking your posts as soon as you have one other social media network besides Facebook to which you’re posting. Try linking your Facebook posts to Twitter. Then slowly add another network, again linking the posts on it to Facebook and vice versa. As you add more networks, you can continue doing the same thing.

Let’s look at an example of how this works.  Let’s say you specialize in writing about antiques. You can do posts about the history of objects, their uses, historical anecdotes about them, their status with collectors, even the status of the current market. The list goes on and on. So you might begin by introducing the object on Facebook and mention how well it’s doing in the current market. Then you could do a post on Twitter that links back to your post on Facebook. If you’re on Instagram, you can post an image of the antique object and note a quirky anecdote about it in the caption. Finally, you could post an image of the object on Google+ and write a short paragraph about its history or how it originated. Naturally, you’ll want to repost a sentence on Twitter that includes a link to your Google+ post. You can then link your Twitter post to Facebook, putting you right back to your network base, but now with a different angle than your first post.

By building a cross platform, you’ll soon increase the number of your viewers across the board. But you must be patient. Social media doesn’t work overnight. It can take several months for your posts to get noticed. In the meantime, read, share, and comment on  other people’s posts in your social media accounts.

Learn more about me on my Web site, Writing at Its Best, and on my Facebook Page.

Promotion, Promotion, Promotion Redux

This week marks the eighth anniversary of this blog. A lot has happened in eight years, both to me and to my writing. For one thing, I’ve moved on to publishing my own magazine, an ezine, or online magazine. And today, the theme of one of the first blogs I wrote on promotion is more relevant than ever. For today, I have the ability to connect to thousands of readers through social media.

In that early blog, I mentioned that in real estate, the motto is "location, location, location." Today, it doesn’t matter where I’m located because people from all over the world can read my work. I’m not longer limited to the readership of one magazine or to only U.S. sales of my books. Instead, thousands of readers can sit back in the comfort of their own homes or vehicles, or any other place, and read the information I post in my online magazine, The Antiques Almanac. In less than two short years, its readership has gone from a modest 3,300 to over 10,000—all thanks to promotion on social media. And a related blog on antiques, "Antiques Q&A," now has over 127,000 views—nearly 5,000 per month—since it began in 2009.

Sure I can rely on published works to get readers, but today, I have so many more opportunities via the Internet. And while the older generation struggles to use computers and occasionally get online, the younger generation has made this as much a part of their life as texting to friends.

And while producing five issues a year of my ezine is a lot of work, I find it more fulfilling than going the regular publishing route. By publishing it online, I’m able to make direct contact with readers, many of whom send me their questions about antiques.

To see how I’m faring in the world of ezines, I did a search the other day and discovered that most are nothing more than blogs or extended blogs. While they may be called ezines, they really aren’t done in an online magazine format. I’ve carefully designed The Antiques Almanac to reflect the type of content found in print magazines but with the added advantage of interaction. I plan each issue around a theme, an idea I got from a print publication I still write for. I try to make the themes relevant to today’s lifestyles and trends but with a connection to history.

I used to produce a short articles about some facet of Christmas that I would post on my business Web site, Writing at Its Best, and also print out and send to friends inside a related Christmas card. I just posted seven articles, all on the theme of an old-fashioned Christmas, to my antiques ezine. I love researching little known facts about holiday traditions and antiques. These articles are a great way to show my readers that I'm thinking about them at holiday time.

All of my sites—all four of them---are how I promote myself to the world. And they've brought in a lot of business over the years. So if you haven't created a site for yourself already, get started. In fact, make it your New Year's resolution.

But I also use Facebook, Twitter, Google Plus, and LinkedIn extensively to promote both my ezine and my blogs. You can do this, too. Just remember, "promotion, promotion, promotion."

Books, Books, and More Books

A writer cannot operate in a vacuum. Ideas come from everywhere. But after getting ideas, they have to be researched. And for that a writer needs a good reference library.

Over 30 years and hundreds of books later, I can truthfully say I’ve amassed a good reference library. Setting up a basic reference library needn’t be expensive. I found almanacs, dictionaries, directories of various kinds, thesauruses, and atlases in paperback. I had several dictionaries left over from my college days. And while they weren’t the most current, they worked fine when I was just starting out.

The focus of any writer’s reference library is the subject matter he or she writes about. I started out writing about travel, so from the start, I was on the lookout for travel guidebooks from countries and parts of the United States that I was interested in writing about. Back then, online booksellers such as Amazon.com didn’t exist. In fact, compared to today, that was the Stone Age (I kept my club in the closet and only used it to go hunting.). Over time, I gathered several hundred travel guides, mostly from library and used book sales. For my purposes, it didn’t matter if they were a year or two old. The basic information never changed.

Along the way, I began to write about antiques. This subject required its own specialized library of reference books. Again, I kept an eye out for antiques books—traditionally expensive—at local library sales. Some are small reference books on furniture styles, etc. while others are massive coffee-table-sized volumes with lots of photographs. Mixed in are a number of antiques encyclopedias for easy reference. As with my travel books, these soon grew to 100 or so.

Another of my specialties is writing about Mexico. One Mexico guidebook wasn’t enough. As a specialist, I needed detailed information. I acquired many books on trips to Mexico. Often, this was the only place I could find them. While there, I constantly looked for brochures, booklets, and maps that would give me detailed information not available to me once I headed north of the border.

Over the last five or six years, I’ve written a number of books. Each book required its own set of reference books—in fact, each has its own mini library.

Besides writing, I also teach it to adults in evening classes. As the number of courses grew over the years, I needed writing reference books as well. I’ve gathered 50 to 75 books on various types of writing and writing techniques to help myself and my students. Most of these I obtained through Writer’s Digest Book Club and still purchase the occasional volume through the Writer’s Digest Book Store online.

In also created my own photographs to illustrate my articles. My interest in photography developed before my writing, so I began with basic how-to books on photographic techniques. Over the years, I’ve used these many times. Today, I not only take digital photographs but teach others how to. This has necessitated starting a small library of digital photography books, used mostly to develop the courses I teach.

As you can see, my basic writing library has grown considerably. Most of the rooms in my house contain books. And while I can easily find information online on just about any subject, there’s still information I need to look up in my library.

A Writer’s Library

As a non-fiction writer, I work with facts every day. Today, I have at my disposal a wide range of sources for those facts–library books, e-books, newspaper and magazine clippings, and the Internet to name a few. But nothing is more important than my own personal library, today numbering some 500 books.

During the past week, I was busy directing a group of energetic people at my church who were working to prepare for an annual fall festival that we held this past weekend. A book sale is a small part of that festival. Someone had donated what seemed like a complete collection of books on writing. The person who was organizing the books for sale said these probably wouldn’t sell, and being a writer, would I like to have them. Without hesitation, I said yes. And while I was elated to be receiving such a collection, I was saddened by the thought that a writer had perhaps retired or, even worse, had tried to become one and had given up.

So now these very useful books will be added to my own personal collection of books on writing. And while I may already know a lot of what’s in them, I’ll still use them for reference from time to time.

As a writer in several varied and some related subject areas, I’ve amassed a varied collection of books. For my travel writing, I have a library of guidebooks on all the countries I’ve written about, plus others I’d like to write about. Complementing these are books ones about countries I’ve traveled to or would like to. Add to this books I’ve purchased to help me research travel books I’ve written. Each of my books has a small library all its own.

Then there are my specialties—writing about Mexico and antiques, now expanded to history in general. I’ve gathered a collection of reference books for each of these specialties. For Mexico, my collection features not only guidebooks on various parts of the country but books on its history and culture. My antiques specialty has required me to gather pricing guides, as well as books on individual types of pieces, including those on different kinds and styles of furniture. Added to that are those on ceramics and porcelain, silver, marks, rugs, glassware, etc.

Besides the books for my specialties, I have a rather large collection of books on writing. These include those on how to write various types of proposals, as well as published pieces—articles, short stories, plays, novels, and non-fiction books. The more useful ones sit on shelves by my computer while others occupy another “branch” of my library in my bedroom.

And then there are the books I’ve reviewed and those I read or haven’t gotten to yet. While I prefer to read non-fiction, I have a number of novels and books on short stories from which to choose when the spirit strikes me.

I’m a multifaceted person and as such have other interests. I love to cook, so the “cooking” branch of my library sits on shelves across from my kitchen.  I also love to grow houseplants and gardening in general. This requires me to have a modest collection of books on gardening and growing plants indoors. It takes a bit of specialized knowledge to grow a mini rain forest.

Lastly, the most important books in my library are those I’ve written and those written by writer friends of mine. Nothing boosts my confidence more in slow times than looking at them on the shelf.

The Keys to My Success

When I’m at a dinner party or other gathering, inevitably someone will ask me what I do for a living. I tell them I’m a writer and immediately they think of Stephen King or some other celebrity writer. No, I’m not one of those, but I have made a living at freelancing for over 26 years, so I must be doing something right.

There are a dozen keys to my success. Any beginning writer, with a little hard work, can achieve what I’ve done by following them.

1. First and foremost, I meet deadlines. It’s become second nature to me after this long. Editors appreciate a writer who works with them and doesn’t cause them to get behind.

2. I write something new every day.  Perhaps its one of my blogs, a book review, an article for a publication, or an article or two for one of my four Web sites. It’s sometimes hard to make enough time to write since I now have to exercise about an hour and a half a day after recent coronary surgery, plus teach writing classes in the evenings.

3. I read as much as I can. The more I read, the better writer I become because I’m influenced by the thoughts and techniques of other writers. But I don’t just read as a reader, I read as a writer, analyzing the text as if I had written it and seeing how I might improve on it.

4. As a writer, I’m constantly making notes. In fact, my desk is flooded with them. Often, I’ve made so many, I lose track. I make To-Do Lists almost daily. If I don’t, I may forget what needs to be done on what piece.

5. Over the years, I’ve learned to mentally record conversations, visual details, sensory stimuli,  facts—lots of facts. I also record these facts in copious notes that I prepare for each article and book. Notes for the latter often fill an entire file box.

6. To keep myself organized, I’ve learned to clip and file vital information so I can retrieve it later.  This has increased my productivity over the years.

7. Even in this day of e-books and the Internet, I still use my public library from time to time. Some information just hasn’t been digitized. However, I find myself using my local library less and less as technology marches on.

8. And though I love words and their origins, I’m careful not to add vague words, that my readers won’t understand, to my vocabulary.  (See my previous blog on $20 words).

9. I love books and my house shows it. There are books in just about every room. As my writing career has advanced, I’ve amassed a small library of perhaps 500 books on both writing, and the subjects I specialize in—Mexico, travel, and antiques.

10. In order to sell my work consistently, I study the markets for it.  However, today, it has become a challenge to keep up with writing markets. It used to be easy to spot a trend, but things have changed so much and so fast, that today it’s difficult. And while it’s always my goal to be at the right place at the right time, I don’t always hit the mark.

11. Since I began writing books, I’ve had to learn as much as I could about editing, publishing, and marketing. Being more knowledgeable about all facets of my business, I’m a more effective business person.

12. I take my writing seriously and have made an effort to make my family and friends do likewise. It isn’t just a pastime or a passing fancy. I communicate with my readers and now, through social networking, many of them communicate with me.

These keys are what have made me successful, but they won’t necessarily work for every writer.
And while my name may not be a household word, I’m still successful at what I do.

To Specialize or Not to Specialize

In marketing today, the catch word is “niche.” Practically every new business has to develop a niche market or it won’t survive in today’s tough economy. Niche marketing is all about targeting the right customers and for non-fiction writers in particular that means the right group of readers. Few magazines today publish general content. Most specialize in a particular subject area with its own group of dedicated readers. And to a non-fiction writer, like myself, targeting a group of readers means developing a specialty.

While some writers are generalists—writing about any subject for any market—the most successful ones specialize in writing about just one or two subjects.

So how do you develop a specialty? Begin by looking over the subjects you’ve written about already and see if you’ve written about some multiple times. If one subject stands out, perhaps, with some added subject and market research, you could develop it into a specialty. If none of the subjects you’ve previously written about stand out, consider you interests. Often specialties grow out of a writer’s special interests or hobbies.

Take my path for example. I began writing articles about traveling to various destinations because I like to do that. I wrote about all sorts of places, but go nowhere. Rejections piled up faster than I could write new articles. Eventually, after an eye-opening trip to Mexico, I began writing about that country. First a little, then more and more. Opportunities opened up for me to travel down to Mexico several times a year. By that time, I realized I liked writing about Mexico and discovered a wealth of topics to write about. So I began reading everything I could on the country while continuing to write about it. I explored lots of topics, from history to beaches to culture, food, and traditions. Soon over half the articles I was writing were on Mexico. I had developed a specialty.

One of my special interests is antiques. I love to collect things and to find out more about them, I began writing about them. At first, I wrote on antiques in my collection, then I started branching out to include ones I didn’t own. I found I especially liked writing about antique furniture. Eventually, writing about antiques and collectibles developed into a second specialty.

It takes as long as two years to fully develop a specialty. It’s not just a about gathering topics to write about, but also learning in depth about the subject and finding markets for your work.

The main advantage in specialization is the amount of knowledge you amass about a particular subject over time. The more you learn, the more opportunities will come your way as you become an expert on your chosen subject. And expertise is what you need to write books on your subject.

Book Deadlines Take Over

Sorry I’ve been rather quiet for the past two weeks. Between trying to make a book revision deadline and problems accessing the Internet, I’ve been going slightly crazy.

Books tend to take over a writer’s life. In the beginning, they require intense thought, then the job is to get those thoughts into some order so that they make sense to the reader. In some ways, revising a book for the second time involves even more thought.

When I write a book or an article for the first time, the writing seems right. Everything reads well. It doesn’t occur to me that I may have to revise it in the future. Revising can do several things for a book. First, it allows me to update pertinent information. And second, it gives me the opportunity to revamp my writing. Not having seen it for five years, I forget what it sounds like. In fact, when reading over the book, I didn’t even recognize it as something I wrote. That’s a good thing.

The more I write books, the more I conceive a concept that the book needs to follow. When I first revised this book on starting your own antiques business, I concentrated on getting all the antiques information right. This time, I see that the concept needed to be more business-like. Remember, some readers will be using this book as their step-by-step guide to running a successful business. While it may not be as intriguing as a novel, someone’s financial future depends on it.

Winding Down Time

It's the first of December and time to start thinking about what I've accomplished this past year as well as to plan for next. Yes, that's right, I said plan--something a lot of writers don't do. In this game, you have to stay ahead. If you don't, you'll surely fall behind.

To get things started, I renewed a relationship with one of my regular editors. I've worked with this particular publication for 15 years, but this year didn't do much for them. One of my specialties is writing about antiques and this publication is one of my regulars in that market.

I also began formulating an outline for my newest book on the American Southwest. This can take a while. The more thought I put into the structure of the book at this stage, the fewer problems I'll have along the way. And while too much detail can bog me down, too little will leave me with a vague idea of particular sections later on.